The Rainbow Seat, Piedmont

Diana and Micha have created an extraordinary space here at their B&B in Piedmont.

It's a photographer's delight really.  Everywhere you look, there is some exquisite detail.  Yesterday, swimming in their pool, I would stop sometimes, lean on the side and just concentrate on how much beauty there was there in front of me.

And perhaps it seems like I'm exaggerating, or that I don't get out much, or I'm easily impressed but really, I'm almost sure that it's just about the fact that B&B Baur is beautiful.

One Of Those Quietly Joy-filled Days ... in Italy

 You know when you step into so much beauty that you almost cry ... ?

It was like that today, as I arrived at my new 'location' for these next few days.

Diana and I are preparing our  Beautiful Truth Retreat for a small  group of women who are flying in from all over the world.

And while we made plans together over months, the reality of where I am to spend the next few days is truly overwhelming today.

I remember my first visit to Diana and Micha's place.  During the tour I noticed a small table next to a green-shuttered window, with a view out over a lush Italian hillside, and I imagined how it would be to inhabit that space for a while ...

Today I am writing this from that exquisite location.  And it is as good as I imagined. 

There is work to be done in the days leading up to Sunday but for today, I am luxuriating in the quiet joy that has filled me to overflowing.

A glimpse ... just a really small taste of what I am talking about. 

Only a glimpse because I am running on a few hours of sleep, after a 3am start for the 4am airport bus and my 6.30am flight to Mlian.  Despite that, it has been a day filled with quiet joy.

I woke while my plane was crossing the Italian Alps.  Laid out below me and not too far away, it seemed, was ridge after shadowy-sunrise ridge, rising up out of the delicate early morning mist. 

It's been like that today  ...

In These Days ...

I have 3 projects to work on and there's only one me ...

Can you hear the sigh in that sentence?  And I love all of the projects equally, so it's not about the one or two that are a nuisance.  It's about wanting to do all of them beautifully.

And then there's the house, and other events, and a pile of books that I'd love to read.  I caught one of those books as it slid off my desk when I sat down here this morning.  The pile is very precariously stacked.  Interwoven with papers and notes, covered in ideas of things I'd like to remember to do.

But anyway ... I made the 2.5 hour train trip to Ieper (Ypres) on Monday and met a family of 6, with 4 of the most beautifully behaved children I've ever met ... without any exaggeration.  I went allowing for the chaos that can be a family portrait session and came away stunned by those kidlets. 

Rolling across Belgium in a train has to one of my favourite things.  I love the fact I'm in the world but out of it.  If I find the right seat, then it's the perfect place to finish a book and/or nap.  I did both, passing out in the 30 celsius+ heat after the photo-shoot. 

You meet interesting people too.  I met a young guy who was studying journalism and we talked for a while.  I had been lost in my book and he heard me asking the conductor where we might be.  I was quietly worried I had missed my train-changing stop.  So I asked him about his studies and it was interesting to hear the state of journalism today, as told to him by his professors. He talked of the book he is planning.  I love that about trains, well ... and planes too, the conversations you get to have with people you've never met before.

In other news, I'm back in France in a few days.  Photographing a wedding that promises to be exquisite.  Then over to Italy for the 5-day workshop where I get to work with some lovely women in a dreamlike setting. 

September finds me back in Genova.  Anna, at Beautiful Liguria, is working with me on a project that is so close to my heart.   Perhaps that one will take me right through the winter.

And I have an editor for my book and an exhibition space for my photography and so ... work must be done.  Perhaps if I stop for a moment and simply organise the books and papers piled up on my desk, then my day can go forward in the best kind of way. 

Perhaps.

Anyway, I called the image below 'painting with light'.  Sometimes, for me, it's all about the attempt to capture light where I find it ...

 

A Remarkable Woman

Whether we know it, or not, we are all remarkable souls.  Individuals with stories, tapestries of individual beauty. 

Over the years I've realised that each individual carries so many stories inside.

I started moving house when I was 21 and newly married.  Over the years of the first marriage we moved at least 12 times.  And I remember watching and wondering, as we drove by old homes on the road between wherever we were living and 'home', about the people who might have been forever inhabitants in those houses ... wondering what their stories felt like.

I see people as beautiful stories, like books with their own individual covers, and I enjoy the privilege of 'reading' a little when we work on a portrait shoot or simply spend time together.  Some try to tell me that their lives are so ordinary but lives are never ordinary.  It's as fascinating to listen to someone who has lived their entire life in one place as it is to listen to a person who has traveled.

Like wine, we all have our own flavour, our own ageing-process ... depth, maturity, character are all words that can be applied as much to humans as to wine.

Back in Genova, I spent two days with Diny and it was an incredible pleasure.  The tapestry of her life was beautifully woven.  I can imagine her laughing as she reads this but it's less about perfection and more about the deep beauty of being real and present. Of being honest.  Of embracing life in a way that left me admiring her intensely.

And she gave me permission to post one of the photographs I took of her while we worked. 

 

 

And so, the rooms ... B&B Baur, Italy

After I had wandered outside for a while, I stepped inside.  Oh my, I could  spend weeks in some of those rooms ... walking through the early mornings and out into the evenings but writing, just writing, all day.

They're inspirational rooms but see for yourself.   And this, incidentally, is one of the rooms our workshop clients will be staying in ...

Note: I had no tripod this trip and so I made do with a ledge which was limited.  I was sherpa enough without carrying a tripod this trip.

Baur B&B, Italy

And so you arrive ...at Diana and Micha's house.

They offer the most beautiful surroundings at their B&B in Italy. 

I went wandering in the early morning light on Tuesday.  The light, the buildings, the colours, the countryside ... I risked Stendhal Syndrome.

Note: this is where we will be hosting the photography and storytelling workshop in Italy.  There is one place left. 

What say you?

A little more on documentary photography

I wanted to come back to documentary photography once more and just say, never stop watching.  For me, it's a little like hunting ... perhaps. 

I don't go in with a plan beyond the attempt to capture the story.  To tell it true.  I picked up a 3-day documentary shoot, over on Flanders Fields, working with the New Zealanders a few years ago.

The image that follows is one of my favourites and I have to confess, it really was about swinging round and capturing this exquisite moment without thinking too much about settings.  A hongi ... a Maori greeting, was being exchanged. 

I had been traveling in France with the New Zealand veterans the day before and so they knew me a little. The New Zealand London Rugby Club were playing a commemoration match in Zonnebeke. 

Moments like these make documentary photography a big love of mine ...

 

 

On Documentary Photography ...

Her photographic work is magnificent and I love her presence: her portraits are stunning, they expose intimacy, humor, and pensiveness; her photographs capture the space, the movement, human interaction deliciously, in a way that one feels invited to an event long after it disappeared from the public scene.

In all her unobtrusiveness when working with the camera, Di is great fun to hang out with, the artists, scholars, thinkers, curators of our Berlin exhibition highly appreciated her, and when working together in Cairo, Istanbul, Berlin, or wherever else, I enjoy her kindness, humor, and delightful presence.

Shulamit Bruckstein, Curator, director of TASWIR projects / ha’atelier

Shulamit wrote this after a series of projects together and, in so many ways, lays out what I want to achieve as a documentary photographer.

I believe I need to be unobtrusive, invisible ... disappearing into the moment I have been asked to capture.  At the same time I believe that there are going to be people I need to engage with.  It's about building trust, if there's time.  It's about being respectful - I want people to enjoy my work afterwards. 

I prefer to wear dark clothes and quiet shoes.  I carry cough drops and tissues.  Nothing about me should stand out or distract people from the event.  I don't make eye contact when I move around ... unless I need to or unless I find a 'favourite'.  A favourite is someone who embodies something of atmosphere ... the event.  And there is always someone.

I love my flash.  It's a Canon Speedlite 580EX II and over the years we've become good friends.  I know how to twist and turn it, to bounce light and avoid shadows.  I work with my favourite lens most of the time, a  Canon EF 70-200mm 1:4L.  Some people get hung up on the latest equipment but I simply love whatever works for me.  This lens is my baby.  Attached to my Canon 5D Mk II ... it's magic.

I prefer to zoom because it allows me to stand back, on the edges, while still getting up close and personal without people realising that it's all about them.

Documentary photography ... unobtrusiveness, respect, the building of trust, connections, communication.  It's all of that and more.  I love it.

I found the words ...

I believe that our way of 'seeing' the world is as unique as our fingerprint. I believe that the technical elements of photography are simpler than most people realise. With this in mind, I am offering photography workshops, women only.

You will receive a pre-course workbook that invites you to explore and come to know your camera via a series of simple exercises, with virtual assistance from me, if necessary. Then we come together, one-on-one or as part of a very small group, to put those new skills into practice out in the city, to create images that reflect your way of seeing and experiencing the world, and to develop your confidence with your camera.

Contact me.

Photographing People

I've been preparing for the photography workshop in Genova, thinking about all the things I know ... and finding stuff I didn't realise I knew.

When I make notes on portraiture, I include words like Trust and Respect.  Empathy.  Patience.  Engagement. Authenticity.

And it's not about acting or demanding or insisting.

People, when they're being photographed, are often fragile. They feel broken open, exposed, vulnerable.

You're asking them to show a little of their souls, to give you themselves in a relaxed state of being.

People often tell me they photograph badly but no, I think no one 'photographs badly'. I have this theory that it is a failure on the part of the photographer, to relax their client.  To engage.  To earn their trust.

When I work on a portrait shoot, I am almost skinless.  I don't want to be the boss, to be in control, to demand this expression, that pose, this place.

I want to go someplace my client loves.  A space where they can relax and feel comfortable.  I want to talk, and maybe walk a little.  I want to know who they are and how they want to be perceived.   I want to discover and capture their best selves.  The self they know and recognise. 

Sometimes, if it's a family portrait, I have asked the mum for a follow-up shoot alone because when you're a mum and a wife on a family shoot, you can miss out on being you.  Your own private individual you ... before you took on all those roles.

And it works.  I have photographed some beautiful strong confident women when they're off-duty as everything else.

Kids are something else again.  You need to engage, it needs to be fun, you need to be real.  They will know.  Bubbles have saved many a shoot when a child has grown bored or tired. 

Portraiture is all about a lot of things ... and then relaxing and enjoying that time spent together.  It's about gifting someone the beautiful things in them, and everyone has something. 

Photography & Story-Telling Workshop, Italy

 'When we (Di and Diana) initially sat down to talk about what kind of experience we wanted to create, we were clear and in agreement on almost everything. First we wanted this to be a very small and private women’s event. It was important to us that it take place in beauty and peace. We thought it should be in a place we had to ourselves, so that we could just be ourselves. We wanted good food, wine, scenery, comfort, the potential for creativity, and relaxation.
But more than anything, we wanted to create a space that would encourage woman to tell their stories – through photos, art and words – and to use our combined experience as guides, mentors and artists to provide a mirror to each woman’s intrinsic beauty.'

You can read more about the retreat Diana Baur and I have put together over on our new website ... Your Beautiful Retreats.com

We are so deeply excited by the week we have planned.  We are offering 4 places, and two are already gone.  If you would like to join us in Italy, let me know.

You can wander through the location of our retreat over on Diana's B&B website ... Baur B&B and read the reviews Diana and her husband have received here.