The Island of Ireland Peace Park, Belgium

 

I think I'm almost cheating tonight.  It has been a day of a great many ideas but nothing that is ready to be written of and so, I'm going to post one of a series of my photographs appearing over on the Messines 1917 website run by two of my favourite folk here in Belgium.

Martin wrote: The Island of Ireland Peace Park with its distinctive 34-metre Celtic Tower and its evocative stones of remembrance, was opened on the outskirts of Messines 15 years ago in a ceremony that was hugely symbolic of not only the past but also the future.

The occasion on Armistice Day 1998 was the first public event at which a British monarch and an Irish president had officiated jointly. President Mary McAleese inaugurated the park in the presence of HM Queen Elizabeth II and HM King Albert II and Queen Paola of the Belgians
.

There is so much more to read about the Peace Park over on the Messines 1917 blog and some more of my photographs too.  I'll leave that with you. 

Also, I didn't know it but Martin wrote, the Tower is designed so that the interior is lit by sun only at 11 am on the 11th day of the 11th month.


Terry Windling, on Blogging

Here's what blogging is to me: It's a modern form of the old Victorian custom of being "At Home" to visitors on a certain day of the week; it's an Open House during which friends and colleagues know they are welcome to stop by. I'm “At Home” each morning when I put up at post. Here, in the gossamer world of the 'Net, I throw my studio door open to friends and family and strangers alike. And each Comment posted is a calling card left behind by those who have crossed my doorstep.

Terri Windling, extract from, Reflections on Blogging.

I love when this woman writes.  She's wise and her blog posts are another of the places I go when I'm searching for those things I lack here in my world. 

She has a dog, a forest, some hills.  She writes, I'm a writer, artist, and book editor interested in myth, folklore, fairy tales, and the ways they are used in contemporary arts.

I loved today's essay on blogging and can only say yes.

Yesterday I was working with photographs and history of that beautiful fountain in Genova ...

 

Book Work ...

I first arrived in Genova back in 2008.  I have been returning, as often as is possible, since then.  I would live there in a heartbeat.

I have been reading through notes made and books I've bought.  The port of Genova, active since 5 BC.  I found the note that recorded the fact that I almost cried, in front of strangers, that first time I saw the Ligurian Sea from the path at Nervi.  I had written in my journal that Genova seemed more and more, to me, like a place where New Zealand and Istanbul met and become something more beautiful than either ... back on 21 October, 2008

I saw this scene this year I think, and couldn't resist it

Really?

Only a few, who remain children at heart, can ever find that fair, lost path again. The world calls them its singers, poets, and story-tellers but they are just people who have not forgotten.

L.M. Montgomery.

Since autumn began I've been attempting to fit my book in around family commitments and being a housewife.  It doesn't really work.  I remember those days back when I left for the office.  I recall the feeling of relief, of being in that safe space defined by clear boundaries marked 'work'.  That place where the threshold was rarely crossed by 'family'.

There was a degree of separation found there.  A door more-or-less closed on the reality that is home life and all  of those things that happen there ... from poo-filled nappies and sleepless nights, to sick cats and people you have powerful emotional ties to.

Work was always a place where I existed at another level.  Where, more often that not, objectivity was a state of being more simply found.  And I was paid for my presence, my hours, my labour.

Working from home, around a family life I rarely decribe here, oh my ... it's a topic I almost never touch.  But there is no degree of seperation.  I use the bathroom here amd I realise that I am also the cleaning lady and dammit, I haven't cleaned the bathroom lately.  I go downstairs for lunch and realise I'm the baker and that a new loaf needs to go in for breakfast tomorrow.  I make a coffee and see the dishes need washed and dried and put away.  I take a shower, need a towel and voila, I realise there are 3 loads of laundry there in the queue.  And what's for dinner tonight ...?

And really, I just want to hunker down in that seperate space called 'the office', and work for my money, and be objective but it's so unrealistic.  I was trained from a very young age that I needed to be responsible ... as the eldest sister, as a good little girl from Mosgiel. 

Gifting myself permission ... no, gifting myself the luxury of writing all day, it's something I am battling with at every level.  This last week has been impossible.  There are moments where I can do my writing work but as it is only the'possibility of income' ... can I even call it work?  Don't so many, as in those who know 'money doesn't grow on trees', view it as a luxury?  This writing lark. 

When you read of money and trees, did you find yourself adopting the deep voice of your father or some other remembered voice of authority?  I think only men have said that to me.  They get so mad with me and my lack of gratitude.  It's only the housework and the family.  You have it so easy

But I'm wondering ... 'really?' 

Anyway, I'll work it out and meanwhile, the image below.  My childish self loves the notion that there are the possibility of other worlds in puddles.

A Small Slice of Genova, Italy

For me, the fountain in Piazza De Ferrari represents the true heart of the city.  Then again, I am a foreigner and I may have that wrong but anyway ... I've taken a few hundred photographs of that fountain since first visiting in 2008.  Slicing it up, as I slice up everything. Examining it in different lights, falling in love with the fall of the water one day, then a reflection another day.

On this day the fountain was still and I was able to get close, wanting both the text and reflection of Palazzo Ducale.

Genova ... it's a city I could spend the rest of my life photographing.  I never expected to find one place that would capture my interest in this way but it has.  The more you explore Genova, the closer you go, the more there is. 

Then again, if I was more than 2,000 years in the making then I might be fairly complicated and interesting too.

Hope That Deep Sea Oil Drilling Can Be Halted in New Zealand

An Update: Greenpeace today filed papers at the High Court of New Zealand in Wellington asking for a Judicial Review of the decision to allow Anadarko to carry out drilling.

The government’s Environmental Protection Authority made an ‘error in law’ by allowing Anadarko to go-ahead without looking at several key documents, including reports on oil spill modelling and emergency plans to deal with an oil spill, according to the legal papers.

Lawyers for Greenpeace are asking for the matter to be ‘allocated an urgent hearing date’ due to the ‘national importance of the issue’.

If Greenpeace’s challenge is successful, it could bring a halt to Anadarko’s drilling plans, as they should not have been given permission to drill because the requirements of the law were not met.

Sickening Developments Down in New Zealand

Is there nothing at all who can appease your greed,

Could you please leave the air we breath
Why is it something we've done
You all seem to forget
About nuclear fallout and the long term effects

... Let me be more specific, get out of the pacific
Ki te la pacific, get out of the pacific
Ki te la pacific

French Letter lyrics, by the Herbs A protest song telling the French government to take their nuclear testing out of the Pacific back in 1982. 

I have embedded a link to their song, a memory of a time when New Zealanders and the government came together to fight for a nuclear-free Pacific.  At the time the French government was testing nuclear bombs in the Pacific and wouldn't stop.  |The French government decided to get very serious with the kiwis and sent some of their crack troops to Auckland where they blew up a Greenpeace vessel in our second-largest city, killing one person. 

These days evolution seems to be spinning backwards and the New Zealand goverment, in a moment of insanity has given a Texan oil giant, with a poor safety record, the right to carry out deep-sea drilling just off the coast of New Zealand.  The risk of an accident is small, they say ... the consequences of just one accident, are huge in a place like New Zealand. 

Anadarko started drilling in the wee hours last night, surrounded by a small flotilla of protests boats ... it's truly a David versus Goliath battle.  Of course, with our very 'special' prime minister at the helm we see the New Zealand government threatening to send the NZ navy out to stop the protestors.  New Zealand has changed and not for the better.

In the last few hours the New Zealand protestors were warned by the Texans that being closer than 500m to their oil drilling rig in New Zealand waters is ... illegal, because the NZ government also changed some rules for them, making it illegal to protest out there. 

So not only has the NZ government broken trust with the people who hired them, as in the public who voted them in, they have lied and changed laws so that the NZ navy can now be used againt the NZ protestors in order to protect the big oil giant.

And they'll probably give Anadarko ships safe passage too, should the unthinkable oil spill happen.

It makes me heartsick because if and when the oil accident happens ... well, what do you with the worst-case scenario?  The documents shows that up to 90 per cent of the wells have a worst-case discharge rate of 100,000 barrels, about 16,000 tonnes a day, but some could discharge up to 350,000 barrels.

"And a couple of months' worth of major spill - unlikely though that may be - would be a significant disaster for wildlife, for the health of our oceans, for our fisheries and for our tourism brand at a cost of billions of dollars to New Zealand.''

Congratulations to Mr Keys and a very shortsighted New Zealand government.  I'm just going to be praying that your greed for immediate returns and thirst for oil doesn't leave New Zealanders with a mess that takes decades to clean up.

Source, The New Zealand Herald.


Ordinary Love, U2

No one is born hating another person because of the color of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.

Nelson Mandela, from Long Walk to Freedom

'Ordinary Love' is a song by U2 written for the film Mandela: Long Walk To Freedom.

It's the first new U2 song since 2010. The lyric video was directed by Irish illustrator Oliver Jeffers and American artist Mac Premo. The video was primarily filmed at The Invisible Dog Art Centre (theinvisibledog.org).

The video features images of various mundane items: brick walls, fences, a blackboard, a globe, a painting. The lyrics are presented first in script scribbled by a moving ink pen over paper, and later over the many earlier images shown in the clip.

Ordinary Love from Joe Ahorro on Vimeo.

 

A Quietly Extraordinary Weekend ...

This weekend was a weekend where I experienced the extraordinary privilege of spending time with some remarkable people here in Antwerp.  It was made possible by Sarah Neirinckx, the personal and third culture coach, owner of Bloom.

But I don't want to write of it yet because I need time to work out how to tell the story true, so that you get a sense of it ... without photographs.  I need time.

It wasn't just about the workshop but I had offered the lovely Lynette a bed at our place while she attended the workshop.  This was also an extraordinarily delightful experience.  Having her to stay felt a little bit like some delightful Christmas fairy had climbed down from the tree and sparkled her way through our family. We all enjoyed her company.

Last night, I could barely form two sentences when I tried writing here.  Today re-entry into the life of the extended family has been so much simpler despite the fact it was another inspiring, challenging, intense day. 

But this woman ... Dr Brenda Davies led us all on an exquisite journey through these last few days.  I'll write more as soon as I find the words. 

Keys seem like an entirely appropriate image to end this short blog with.  Normal service will surely return tomorrow.

An Unusual Weekend So far ...

I wouldn't be exaggerating if I wrote that I am spending time with the most remarkable people this weekend.  I'm on a two-day workshop that has both filled me with a new kind of energy and left me an exhausted shell of a woman tonight.

The intensity is quite something.  (And I've deleted words and sentences here so many times already...)  I need to get through the workshop and then give it a couple of days to brew some before writing of it.

The bonus is spending time with Lynette.  She is a New Zealander living over in Brussels ... a woman who has fitted so beautifully into our household that we might just keep her.  She's been a great companion on the journey and after about 24 hours together I feel like we've known one another a very long time.

Meanwhile, I'm proud of the New Zealanders out there putting up a fight against the deep sea oil drilling off the coast of our beautiful little islands  And while I know a few grumpy old blokes read my blog and will surely mutter into their long grey beards, I'm going to proudly post a clip from those people who see the huge risks in the drilling.

There Are Days ...

What makes me so homesick at this time of year?

I think it's the realisation that we're on the big plunge into winter where Christmas will be turned into something white and freezing and flat and kind of boring.  Meanwhile, back home in New Zealand, Christmas means summer holidays that go on forever ... strawberries, cherries, new potatoes just out of the ground.  It means white wine in the sun ... actually this song really gives a good sense of it.

My song of choice when I want to go on a melancholic bender ... oh yes.

I have a lovely guest arriving tonight.  There's a dinner in the city and an introductory workshop session.  I'm curious to see how it all goes but just can't concentrate at the moment.

Mmmmm, that could have something to do with the photograph below.  The contents of Christine and Peter's parcel.  It may be that I'm actually in the midst of a sugar rush caused by the Mint Treat Bites and the Chocolate Fish, eaten while I was writing today.

But the Tui bird pictured below.  You cannot imagine how much pleasure I get from pressing the small button that makes it chime ... just like a real one.  I'm still bemused about how easily I've regressed to 'small delighted child'.

I'll get back to you ...

Today ...

So I'm down to the final 90 minutes of today when it comes to meeting my daily commitment to writing a blog post for NaBloPoMo.

It's as close to the wire as I've gone so far but it was one of those days.  I began with the best of intentions and was distracted, just after 8.30am,  by the delivery of an exquisite birthday parcel from New Zealand.  Christine and Peter had sent me a Weetbix tin full of New Zealand chocolate goods.  It was full of childhood and memories.  And there was a soft toy Tui, loaded with the call of a Tui.  I melted. 

But today was going to be about writing ... just writing.  I wasn't planning to leave the house before 11.30am however the Belgian bloke picked up an emergency dental appointment, for the gaping hole in his tooth, and I promised to deliver his money card to him before 10.30am.

I roared out of the house in time but he phoned me, having realised his credit card could be used... the emergency over.  However I was out of the house and wandering.  No point in going home just for an hour  and so I decided to vist my favourite secondhand bookshop here in the city. 

I thoroughly explored their truly superb English selection before settling on one 6.50euro book.  Leaving, I met up with Andy at the cash register and voila, we were out for a quick catch-up before I found a city bike and headed off across the city on the school pick-up run.  I arrived just in time.

The school is an interesting one and I find myself having conversations with quietly extraordinary people sometimes.  That happened today.  Then Miss 9 and I wandered home via the bakery that sells the best chocolade eclairs in the city.  They know us now.  We call by once a week, we chat some.

The final leg of the journey is via a tram and we played the Animal Game all the way to our stop.  It's a spelling game that moves between English and Nederlands.  If Miss 9 says 'tiger' I have to find an animal beginning with 'r' and if I say 'olifant' she has to find one beginning with t.  And so it goes on the long journey home ... we need to google more animals though.

But, oh dear, in searching for how to spell the only X animal I thought I knew, I discovered that it actually begins with an A.  Back to the drawing board on 'Axolotl'.  That is so not how I was spelling it. 

We came home via Puerta del Sol where I called in to buy a red wine but ended up chatting with Frank.  And the delightful surprise being the fact that I was gifted a divine red wine from the woman I was so privileged to interview over the weekend ... which reminds me that I must get all of the interviews outstanding up and out next week.  The Italy ones too, now that I have them.  The story of those Genovainterviews, traveling all over the world, is a story to tell on another day.

Miss 9 and I lunched at 3pm and the day continued on in much the same way.  We're onto 'The Silver Chair' in The Chronicles of Narnia.  And although we only finished Harry Potter this year, I'm wondering if we can read it again after Narnia ...  

I ended the day with a much-loved friend.  Mary Lou is that friend who twice flew to New Zealand and traveled with me.  Once over to Istanbul and then later, we met twice in Europe.  It had been too long since our last conversation and it was grand to catch up.

It's 23.18 as I finish this.  Sliding in with 42 minutes to spare ...leaving you with my favourite Mary Lou and Al photograph, taken when visiting them in Ohio.  Tomorrow, a whole new set of adventures are set to begin ... news to follow.

Woman Enough ...

Writers are often asked, How do you write? With a wordprocessor? an electric typewriter? a quill? longhand? But the essential question is, 'Have you found a space, that empty space, which should surround you when you write?' Into that space, which is like a form of listening, of attention, will come the words, the words your characters will speak, ideas -- inspiration.

If a writer cannot find this space, then poems and stories may be stillborn.

Doris Lessing.

This ... this is so true for me.  I recently deleted my facebook account and experienced a most astounding silence.  It took time to adjust to a life without interesting voices crowding in but I did.  And I loved it.  I wrote.  Eventually though, I realised how little people-contact there is in my everyday world and so I went back to facebook.

The alarm goes every morning at 6.45am here.  I have breakfast ready by 7.30am, when I'm home, and I'm usually here at my desk by 8.30am.  And then I read my way into the place that I work from.

It's a mixture of going through email, a scan of my facebook wall for news of the world, catching up on my blog feed and picking through a selection of new reading there.

There's no physical journey, beyond climbing the stairs to the first floor but there is some kind of journey into that place where I work.

So much can go wrong ...

I think it's why painters have studios, photographers too.  Ateliers.  Mine would be locked some days, with no visible signs of life showing.  I have this 4 hour window of time where I can concentrate intensely.  It's the time when the best of my creativity comes out to play.  I know this but I can't always hold onto it.

I'm studying the 'how' of it because I have had 5 disasterous days in a row, with life crashing into me, again and again.  I think, in the process of opening your self to dig deep and create something that didn't exist before, or to write of something you love so that the passion leaps off the page and convinces people ... you need to go to a place where you can take off your skin and just kind of feel your way with your nerve-endings, with your senses perhaps.

An argument can lay waste to that 'place', to that state of being.  Or realising that this person or that really needs you, or that the house is a mess.  That particular 4 hours out is all that I require but it's so difficult to actually take that much time in the world where I live.

Exit Stage right, and Genova.

I have a favourite poem by a writer I've loved for years. I've posted it before so forgive me if you have already ready it.  Otherwise, maybe this captures something of the struggle ...

Woman Enough

Because my grandmother's hours
were apple cakes baking,
& dust motes gathering,
& linens yellowing
& seams and hems
inevitably unraveling
I almost never keep house
though really I like houses
& wish I had a clean one.

Because my mother's minutes
were sucked into the roar
of the vacuum cleaner,
because she waltzed with the washer-dryer
& tore her hair waiting for repairmen
I send out my laundry,
& live in a dusty house,
though really I like clean houses
as well as anyone.

I am woman enough
to love the kneading of bread
as much as the feel
of typewriter keys
under my fingers
springy, springy.
& the smell of clean laundry
& simmering soup
are almost as dear to me
as the smell of paper and ink.

I wish there were not a choice;
I wish I could be two women.
I wish the days could be longer.
But they are short.
So I write while
the dust piles up.

I sit at my typewriter
remembering my grandmother
& all my mothers,
& the minutes they lost
loving houses better than themselves
& the man I love cleans up the kitchen
grumbling only a little
because he knows
that after all these centuries
it is easier for him
than for me.

Erica Jong.

I had to shower, dress, go find a birthday present for a party this afternoon.  I had to get lunch from the supermarket.  After it all, I came back upstairs just after midday and experimented with layers and frames for my photographs ... trying to 'play' my way back into writing. 

Let's see how the rest of it goes.  The shot ... a city street in Genova.

Some More On Writing, then veering off in Ylvis

19 days of blogging everyday ... sometimes more than once a day. 

And it's interesting, for me, to realise that the more I write the more I want to write.  Last Wednesday I took time out to photograph an event and that had its own rewards.  And then Saturday I took a little more time and interviewed a truly interesting woman

But always, I return to the writing.  And the book is growing.  And it's just as I had experienced, twice before, it feels something like a pregnancy.  I didn't finish the other two books, I didn't make time ... it was life then, the usual excuses I guess.  But with this book ... there is always some thing that is happening with it, some thing that excites me at least once a week.

Of course, there are all the other things too.  I guess they would be the equivalent of cramps too early in the pregnancy, gestational diabetes, elevated bp ... the highs and the lows of growing something you very much want in your life.

My cousin, Julie, the creature who so generously took me traveling with her back in October, has finally arrived in New Zealand.  She left her life in the Cayman Islands a few months ago, came to Italy via a lone roadtrip in the UK, then stayed with us in Belgium, and we did some more of Europe together, and she did Lisbon, and later traveled on to Greece and Malaysia and Australia alone ... but I know I have forgotten some of the 'everywhere' of her travels.

However at some point I realised she had my October interviews, the three I had worked on in Genova.  She had bought a voice recorder there, saying she needed one ...  but really it was so I could borrow it because mine was back in Acqui Terme.  She's like that, one of the kindest people I know.  And so I had a series of delightful interviews recorded on it.  It was a crazy-busy time and somehow I never downloaded them because there was always tomorrow

Having finally arrived in Christchurch, New Zealand a couple of days ago, she was able to send them while I slept last night, despite another earthquake there.   And as I downloaded them, I realised how nervous I had been about it all.  The nausea slowly disappeared as I realised they were all there.  They're for the book too.

So it's like that these days.  The weekend was impossible, Monday was challenging.  Today ... today has started so well.  And I received an exquisite book in the mail.  Oh and last night, I was introduced to the most interesting Norwegian brothers.  Not really 'introduced' actually.  But they call themselves Ylvis.  I don't know which youtube to link too because you have to see them all ...

So ... probably everyone else knows about their song that went viral.  (They're mortified about it just by the way which I find hilarious.)  They explain some of it to Ellen Degeneres here.  The song they're talking of is here ... What Does The Fox Say.

But I think this is the best of their story found so far.  An interview they did on a Norwegian talkshow.  It begins in Norwegian but only the introduction.  Like so many Europeans they speak beautiful English.

Enjoy.

Rain, by Hone Tuwhare

I love rain.  The heavy stuff ...the kind that used pound down on the iron roof back when I lived in Te Anau.  That small town located in Fiordland, a region of mountains, massive lakes ... a national park that is 1,260,740 hectares in size.

Heavy rain on a gloomy Sunday can actually rescue a Sunday.  It's when the day crosses over from 'lifeless and dull' into cosy and delicious', somehow. 

Real rain is joy-filled.  Drizzle is drab.  The stillness of a grey day, energy-sapping.

I took rain forgranted in New Zealand.  It simply was.  I realised I missed it in Istanbul.  My apartment was 5th floor and the closest I got to hearing the glorious sound of heavy rain on the roof was when the rain angled in and hit the big useless metal air-conditioning unit attached outside my apartment.

Belgium doesn't really do torrential ... although these last two years there have been downpours that have caused cellars to flood, due mainly to the problem of a massively concreted landscape that lacks drainage capabilities.  Te Anau was built on glacial moraine.  Rainfall is massive, drainage is fast.

Genova does rain that makes my heart sing although there have been some tragedies in recent years.  I think it used to be October for the real downpours but these years seem less certain, less defined.  Change is afoot.

I was caught in a Genovese deluge one night.  Unbelievable rain ... like a huge bucket of water pouring down from the heavens and it was so unexpected, so crazy, that I ended up laughing out loud as one of the umbrella-selling guys from Pakistan offered to sell me an umbrella.  It was beyond umbrellas.

What was it about that experience that made joy well up like a bubble.  I have no idea but we were laughing like fools in the impossible rain. 

Anyway, favourite poem ever ... just about.

I can hear you making
small holes in the silence
rain

If I were deaf
the pores of my skin
would open to you
and shut

And I should know you
by the lick of you
if I were blind:

the steady drum-roll
sound you make
when the wind drops

the something
special smell of you
when the sun cakes
the ground

But if I should not
hear
smell or feel or see you


You would still
define me
disperse me
wash over me
rain

The image that follows ... I took it on the east coast of the South Island of New Zealand last year.  I'm looking down on Tautuku Bay, scene of more than a few school camps.  The rain there was flavoured by the sea and the beech forests.  Sweeter rain you couldn't know ... except in Fiordland ... or traveling up the West Coast of the South Island.

Actually, scratch that.  Rain in New Zealand's wilderness areas is usually sweet.  I was rapt to see some of these favourite places in rain when I was showing the Belgian bloke home.  There are places I just don't want to see blue skies and sunshine in ... it's like that.

A Grey Sunday Post

I am allergic, or perhaps intolerant, when it comes to grey Sundays.

There were more than a few while I was growing up on the east coast of the lower South Island of New Zealand.  And back then everything closed on a Sunday.  Telephone wires hung from poles rather than being buried underground and sometimes, on a particularly miserable Mosgiel Sunday, the wind would whistle through the telephone wires.  It was deadly and there was nothing that might perform a 'distract and save' mission.  A grey Sunday could suck the life out of me faster than anything ... joy, pleasure, hope, energy, drive, all gone.

Now, when looking for someplace else to live, I always imagine how this place or that would be on a grey Sunday.  Small villages in Belgium seem especially deadly.  Red brick rows of houses, skies that do grey regularly, and the complete silence of empty streets.

I'm suspicious of French villages too. Germany, where all is closed on a Sunday, feels flat and listless to me when the sun is hidden.  And it's not about the distraction of shopping.  I dislike shopping.  It's about the absence of life somehow.

A spark that seems extinguished in some places.

The remedy.  A beach, a forest, a lake, a river ... or maybe a drive.  Movement. 

I love Nature and yet I loved my life in Istanbul too.  City of 14 million+, there was always a feeling of life, an energy of some kind, pulsating in the air there.

I suspect it simply means that I need to live amongst people who like to be outside.  In Genova, down by the sea on Corso Italia, there is life.  People walk and jog there, talk there, move.  I loved Salmanca in Spain for it's Plaza Mayor and the life that appeared there in the evenings.

Even Te Anau, that small village in Southland ... a tiny population enriched by tourists who always move outside of time.  It's never a Sun-day in a tourist area, it's a Holi-day and I feel the difference most powerfully.  That energy, when managed in a good way, energises me.

I can choose then ... work, curl up in my warm bed with a book, or wander into the life outside.

Today is a grey day here in Belgium.  The streets are empty of both people and cars.  I am feeling the bite of not traveling already, only one month after that quick trip to Paris.

It's a grey Sunday today but it seems I never photograph them.  I can't show what I am writing about but here's an image from that other grey day, that one that wasn't a Sunday, when I had to go into the city.  I took my camera ...

Puerta Del Sol & Botart de Amberes, 2013

Founded in 1998, Puerta Del Sol is my wine shop of choice here in the city of Antwerp. The quality of their wine leaves you knowing they really care about wine. They visit each of their suppliers, check-in during the harvest to see what techniques are used and, over the years, have developed the ability to know immediately if the wine has been enhanced in ways that fail to meet their quality control standards.

I wasn't surprised to learn that Puerta Del Sol was born out of a passion for wine and Spain shared by owners – Guy, Frank and Jules. They host wine-tasting weekends several times a year, an open-door day, where people are welcome to come along and taste what they have in stock.

Something I find relatively common here in this Flemish city is modesty… a failure to beat the drum loudly. And so one day, in a conversation where I asked the right questions somehow, English-speaker that I am, I learned about a rather exciting art initiative organised by Puerta Del Sol. 

BOTART is an art project that began in Mallorca, with Araceli Servera, oenologist and member of a  family that has been creating Ribas wines since 1711.

The Ribas website explains that BOTART is all about 'uniting the world of wine with the world of creativity'. The central ideas is about raising the profile of artists living and working in their respective regions in Spain. That said, over the years, the Spanish version has extended its reach and in amongst those Mallorcan artists already featured are German and Egyptian-born artists. The Antwerp version, known as Botart de Amberes, is still all about artists here in Antwerp.

BOTART acknowledges and celebrates the creativity that goes into both painting and the art of wine-making. Honoring the fact that passion and imagination are required in both disciplines.

As retailers of the Ribas line of wines in Antwerp, Puerta Del Sol decided to answer the Spanish BOTART with their own version here and so Botart de Amberes was born. Heading the project are Guy Voet from Puerta Del Sol, Ernest Van Buynder of Mukha, and Adriaan Raemdonck from De Zwarte Panter Gallery. Together these three invite artists to take part in Botart de Amberes.

The 2013 event was not just about celebrating the two new artists - Guy Leclercq and Leonard Leenders - but it was also about the fact this is their third year running the project.  Previous barrel artworks have come from Frieda Van Dun, Carolien Huber and Nick Andrews, with each barrel  painted in a style that is representative of the artists usual work. 

And just in case you're thinking these guys sound like people you might want to buy wine from, English and other languages  are absolutely no problem.  They're Belgians from Flanders.  They do languages ...

You can find them and their divine wines at their shop here in Antwerp - Puerta Del Sol, Ter Rivierenlaan 118, 2100 Deurne.

The shot that follows was taken during speeches made at this years Botart de Amberes, on the evening when the two new artists were announced.  I love looking for shots that are a little unusual and this was taken without flash in the offices of acerta, hosts of the event.

Nina Coolsaet, Bodega Mas L'Altet

I was out photographing an event for friends on Wednesday night and while there I met a lovely woman called Nina Coolsaet.  She is a Belgian Bio-Engineer living in Spain and she has the most delightful story about her Spanish family  and their vineyard located to the north of Alicante.

Avi, Catalan for 'grandfather', is the name on the label of wine being tasted today and it is produced on their bodega called Mas L'Altet.  This morning I had the pleasure of beginning this misty cold Antwerpen Saturday over at Puerta Del Sol, interviewing Nina.

Interview to follow.  The photograph that follows, Frank, Nina, and Guy at the Botart de Amberes Event, 2013