Exile, Charles Mudede

The natural place for the writer is exile. It can be spiritual or physical exile, but they always have to be outside of their society, because writers are outsiders. The writer is out of place when they're in their place. They need distance. They need to get away to process what it means to be who they are. Think of Jonathan Raban, Lesley Hazleton, W. G. Sebald, James Joyce, Richard Wright, and on and on—the true home of the writer is always another country.

Charles Mudede, from James Baldwin in Istanbul.

Leonie Wise, Where the Road Ends

we wonder if there is a place here for us,
if we will tell our stories to island visitors some years down the line,
this island gets under our skin, into our blood
little remnants of it coming home in our memories
.

Leonie Wise, extract from where the road ends.

Beautiful people, beautiful photographs, beautiful words.

Here is just one of Leonie's exquisite  images from that particular post.

She has opened a conversation for me ...  we wonder if there is a place here for us.

I know that curiousity.  I have been looking for 'home' since forever.  I'll know it when I find it and in the meanwhile I'll enjoy where I am, like always.  I've spent the last 30 years moving towns, moving countries. 

Perhaps it will always be like this for me but perhaps one day I'll arrive ... and somehow I'll know that I'm home.

The Daily Photo Challenge ...

The element of 'challenge' continues to dominate as I work at finding a photograph for every day of this year however my lovely friend and I are delighting as our stories and images roll out over days.

Today's image began as a shot of the beautiful dish with the delicate fern leaf imprint inside.  The one that was gifted to me by the truly special New Zealand family I had the pleasure of photographing when I was home.  But as I worked at composition and struggled with light ... because yes, I did leave it until the last moment, it soon became clear that it was more about the bracelets and necklace I wear everyday.  They nestle there in the dish over-night.

The jade necklace was carved by Jayme Anderson, a talented New Zealand artist and jade carver. I was told that the jade is Marsden Jade and that delighted me.  Hokitika and the wild west coast stole my heart way back when I was teenager.

A little from Jayme's business card , 'Jayme's love for jade and carving began in 1996, the first year of his Diploma of Visual Art and Design.  He graduated in 1998.

Later it tells me that, 'From his 10 acre lifestyle block at Marsden, home of the flower jade, he travels internationally and pushes the boundaries in techniques and stone limitations. His innovative work is in the Spiritwrestler Gallery in Canada and private collections in Canada, the U.S. and the U.K...

I feel extraordinarily fortunate to have a piece of his work.  It was well worth the horrific journey through my old nemesis ... the Homer Tunnel.  That story is here.

 

Guitar Girl

Tickets have been booked and I'm off to Genova in February.  I cannot begin to tell you how good it feels to have the promise of wandering back in my life.  It's time ... more than time.

Miss 9 and I have begun reading a new book series together.  It's delightfully creepy.  And I have 'Italian for Dummies' here on my desk.  Now to open it and begin serious work.

I have been struggling to fulfil my daily foto commitment.  And I'm intrigued because I see it's so much about my inability to give myself too much time off.   And the battle is there in the fact that I can't 'snapshot' this commitment.  I climb into photography, working my way towards the right angle perhaps, seeking out the right light. I have to be prepared to do ... just do the photography for an hour each day.  It's an interesting battle.

And emails ...   I've been caught up in a few email exchanges that make me stop to take notes.  And I'm printing out interesting blog posts and articles, sticking them into my journal. 

My super-talented niece called Katie sent me an email containing the static digital image she made at school and it's stunning.  I must ask permission to blog it.  Katie's the one in the foreground.

So, I did a 'girl and her guitar' series for the foto-a-day shoot today.  I was using my 17-40mm lens on the Canon EOS 5D MkII and I was all but climbing onto the couch as I took the image you find at the end here.  I think, in future, I might just stick with my 70-200mm lens.  I love that lens.  It's my way of seeing ... and being. Potentially my photography subjects may appreciate a bit of distance too.

Standing Still ...

I've been standing still since Paris, 13 October 2013.  It feels very odd.  A little like sleeping, or perhaps napping.

As a result the house is looking pretty.  My bedroom/office space has been refined.  I like it.  And Gert's building me a 2m wide corkboard ... so that I can hang the photographs I'm using for the book.  Apparently he was inspired to create the corkboard when he arrived home and discovered my lines of nylon thread, filled with many pegged A4 colour images.

We negotiate this office space that we share here in our big old L-shaped Belgian bedroom.  He is a very organised man.  I am a chaotic-while-preferring-to-be-organised woman.  I have my little nest of books and papers, photographs and paintings, memories and all kinds of other things too, tucked away behind a small shelf-wall.  I'm in the corner, next to a window, where the predominant colours are deep red and terracotta. 

It's winter here.  I am in need of colour.

Creativity

This is the thing about creativity that is rarely acknowledged: Most people don’t actually like it. Studies confirm what many creative people have suspected all along: People are biased against creative thinking, despite all of their insistence otherwise.

“We think of creative people in a heroic manner, and we celebrate them, but the thing we celebrate is the after-effect,” says Barry Staw, a researcher at the University of California–Berkeley business school who specializes in creativity.

Staw says most people are risk-averse. He refers to them as satisfiers. “As much as we celebrate independence in Western cultures, there is an awful lot of pressure to conform,” he says. Satisfiers avoid stirring things up, even if it means forsaking the truth or rejecting a good idea.

Jessica Olien, extracts from her article, Inside the Box - People don't actually like Creativity.