We were enjoying a mild winter we thought. Frosts hadn't really arrived ... until suddenly. Then we had snow.
It awakened the Grinch in me and yes, I complained, mightily. I'm just not good at northern hemisphere Christmases. And so I've remained quiet here while working my way through it all.
A photograph taken from the window behind me when I'm at my desk.
I spent a part of my day working through this list of Mideast Tunes' Top 20 Indie Artists of 2014.
Curious, I visited their About: Our mission is to bridge barriers of faith and geography to unite people committed to fostering constructive discourse in the region through music. The core of the project manifested from our desire to promote bands and musicians that would otherwise never be given a second glance in the international scene. We feel that is because most people would never think to look to regions like the Middle East and North Africa for highly thought provoking music. The need to change that is our driving force.
We believe music can change the world and that the musicians of the Middle East and North Africa will lead the way.
Founded in 2010 in Bahrain, the site has expanded to serve as a primary resource for discovering up and coming Middle Eastern talents.
I found the following interviewe excerpt on NPR about Youssra and her music.
'For "Al Soor," Hawary borrowed the lyrics from one of her friends, the political cartoonist and author Waleed Taher: "In front of the wall/In front of those who built it/In front of those who made it high/Stood a poor man/Who peed/On the wall, and on those who built it and those who made it high." (Needless to say, a "good girl" doesn't sing about people eliminating — but Hawary does it with a wink and a smile.)
Taher had published them as part of one of his cartoons years ago, long before the Arab Spring — but Taher's meaning gained new resonance after a huge wall was erected in Cairo on Muhammad Mahmoud Street, which leads on one end to Tahrir Square and on the other towards the Egyptian Ministry of Interior.
So it was natural, if pretty daring, for Hawary to enlist a photographer friend to go shoot a DIY video for "Al Soor" in front of the Muhammad Mahmoud wall, which is now covered regularly with fresh work from a burgeoning group of graffiti artists.
In the video, Hawary is bathed in beautiful breaking morning light; the women shot the video shortly after dawn, mostly in hopes of not having their work shut down. But the giddy happenstances of this shoot done on the sly — the random guy who asks El Hawary to snap his picture, the kids dancing, the caretaker shooing everyone away at the end — just adds to the perfect, easy magic of "Al Soor."
I spent a part of my day working through this list of Mideast Tunes' Top 20 Indie Artists of 2014.
Curious, I visited their About: Our mission is to bridge barriers of faith and geography to unite people committed to fostering constructive discourse in the region through music. The core of the project manifested from our desire to promote bands and musicians that would otherwise never be given a second glance in the international scene. We feel that is because most people would never think to look to regions like the Middle East and North Africa for highly thought provoking music. The need to change that is our driving force.
We believe music can change the world and that the musicians of the Middle East and North Africa will lead the way.
Founded in 2010 in Bahrain, the site has expanded to serve as a primary resource for discovering up and coming Middle Eastern talents.
I found the following interviewe excerpt on NPR about Youssra and her music.
'For "Al Soor," Hawary borrowed the lyrics from one of her friends, the political cartoonist and author Waleed Taher: "In front of the wall/In front of those who built it/In front of those who made it high/Stood a poor man/Who peed/On the wall, and on those who built it and those who made it high." (Needless to say, a "good girl" doesn't sing about people eliminating — but Hawary does it with a wink and a smile.)
Taher had published them as part of one of his cartoons years ago, long before the Arab Spring — but Taher's meaning gained new resonance after a huge wall was erected in Cairo on Muhammad Mahmoud Street, which leads on one end to Tahrir Square and on the other towards the Egyptian Ministry of Interior.
So it was natural, if pretty daring, for Hawary to enlist a photographer friend to go shoot a DIY video for "Al Soor" in front of the Muhammad Mahmoud wall, which is now covered regularly with fresh work from a burgeoning group of graffiti artists.
In the video, Hawary is bathed in beautiful breaking morning light; the women shot the video shortly after dawn, mostly in hopes of not having their work shut down. But the giddy happenstances of this shoot done on the sly — the random guy who asks El Hawary to snap his picture, the kids dancing, the caretaker shooing everyone away at the end — just adds to the perfect, easy magic of "Al Soor."
Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice — and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.
Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice — and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.
To travel is to see the world, and to meet its inhabitants, to find acceptance there in their hospitality, and to find in complete strangers, a family we didn’t know we had.
David duChemin, Photographer & wise man too.
I was compelled to lift these words from the story David told over at Maptia. I'm listening to Zaz sing Historia De Un Amor en vivo as I write this.
I'm loving the internet for allowing me to know of David's writing and photograpy, for allowing me to listen to Zaz and her magical music ... but most especially for allowing me to watch Christmas unfold back home in New Zealand, 12 hours ahead of us here in Belgium, via friends and family I won't be seeing this year.
On Facebook I wrote, 7am on 25 December in New Zealand, 7pm on 24 December here in Belgium. Summer back home, winter here ... sometimes the split in my reality is clear.
The foto, taken by Jurjana Pavlinovic-Timmermans, after our Christmas Eve catch-up in the city. Thanks for the conversations, and for the laughter, Jurjana :-)