Katherine Mansfield - a symposium on Flanders Fields.

Risk! Risk anything! Care no more for the opinions of others, for those voices. Do the hardest thing on earth for you. Act for yourself. Face the truth.

Katherine Mansfield ... one of my favourite New Zealand writers, the only writer Virginia Woolf ever envied, a woman who truly went out there and lived life. 

Stylistically, the influence of Katherine’s writing was profound. Virginia wrote: “You seem to me to go so straightly and directly – all clear as glass – refined, spiritual…” After Katherine’s death she confided to her diary it was: “the only writing I have ever been jealous of.”

She was a remarkable woman left out of all of my school curriculums - a fact that stuns me now that I realise just how remarkable she was, both as a writer and as a woman.

Anyway, September 26-27, 2015 ...

Freedom and Passion ... two remarkable females

Life is so short. The world is rich. There are so many adventures possible. Why do we not gather our strength together and live. It all comes to much the same thing. In youth, most of us are, for various reasons, slaves. And then, when we are able to throw off our chains, we prefer to keep them. Freedom is dangerous, is frightening.

Katherine Mansfield, New Zealand modernist writer.

I loved this story of 6-year-old Australian surfer, Quincy Symonds.  Her story is simply inspiring.  I found her via this useful website I follow on Facebook ... A Mighty Girl.

A small surfer makes big waves from ABC Open on Vimeo.

Today ...

Gert is home after having a shot of cortisone to the shoulder.  The specialist told him not to expect much for 2 to 3 days.  Fingers crossed this is the beginning of a cure, as he's been in pain a long time.

Jess is out of surgery and they're waiting for the doctor to let her come home.  I can't even imagine how it must feel to have 4 wisdom teeth removed but we have a freezer full of good quality ice cubes, and there are the popsicles too.  She has her very own Flemish bloke with her there.

Inge raced in to spend some time with me this afternoon, only to race out about 10 minutes after meeting, as a small family emergency called her home.  It wasn't serious in one way but it couldn't be ignored in another.  We'll try that Antwerp city tour again, if possible.  Meanwhile she's invited me to visit her in her Westhoek world.  That would be her Flemish childhood home ... as, these days, she's a fulltime resident of New Zealand.

It's been an intense few months but today signaled a change in direction.  I'm working on something a bit special and hope to mount a photography exhibition here in October.  More news to follow with regard to that.

Meanwhile while Jess recovers from tooth abscesses and surgery I'm back on the trams 4 hours a day, not enjoying the heavy pollution we have here but having fun with Little Miss 10.

So yes ... it's like that.

The image below was taken at Cooks Beach in the Coromandel.  Early one New Zealand morning when I was out wandering alone.

Well yes ... I am having fun with the new set of photography borders and tool kit they come with.  Thank you.

Home ...

You know, if the truth were known I have a perfect passion for the island where I was born. Well, in the early morning there I always remember feeling that this little island has dipped back into the dark blue sea during the night only to rise again at gleam of day, all hung with bright spangles and glittering drops . . . I tried to catch that moment . . . I tried to lift that mist from my people and let them be seen and then to hide them again.

Katherine Mansfield, Writer.

I am returning to Genova in July and already my head has begun to fill with what I would like to achieve while there this time.  That city brings me alive in a way that no other place has so far.  Perhaps Istanbul came close but Genova has everything ... in just the right proportions. It is imperfectly perfect for me.

Genova, once known as La Superba, is an ancient Italian city (at least 2,000 years in the making), nestled in the arms of hills that are topped by ancient fortresses.  And at the feet of the city you have Ligurian Sea. 

The first time I saw that sea tears filled my eyes.  It had been a long time since I had been anyplace where the sea looked like home.  I was out at Nervi, photographing a Genovese family, and suddenly I was overcome by this strange sense of being back in a place that was completely familiar.

I have been thinking about things and have this idea that if you ever leave the country you were born in and move someplace else, far away, then eventually the idea of returning home can become as strange or as foreign as living in another country.

And so you move countries and become 'the other', living amongst people who are 'the other' to you.  But when you go home you realise you have become something else there as well. 

And so my place on the edge of lives and cultures is confirmed, probably for life.   That said, there is something else that happens out here.  I love people.  I love when they invite me into their worlds.  In Istanbul there were Turkish families I adored because they took care of me when I lived alone in their city.  That experience of being a guest, of being invited inside, to be a part of this celebration or that, here in Belgium, in Berlin during those months spent living and working there.  Cairo.  Naples.  France. Italy.   It's those insider journeys that make this lifestyle of mine so very very worthwhile. 

Lately I've been reading a series of biographies and fictions about New Zealand author, Katherine Mansfield ... searching for clues I think.  Something about her story speaks to me.

She left NZ in 1908 aged 20.  By 1923, she was dead from TB but not before she had revolutionised the 20th Century English short story.  She was a part of the English literary scene at the time and yet very much the colonial from the Antipodes. 

Her masterpieces—the long stories ‘At the Bay’ and ‘Prelude’—are lovingly detailed recreations of a New Zealand childhood, reports from the fringe—the edge of the world as she felt it to be. She wrote as if she’d stayed. Of course these luminous re-imaginings are lit with the affection and nostalgia of the expatriate. They would not exist without their author’s estrangement from the scenes and places and people she describes. They are set in a New Zealand of the mind, composed at the edge of Mansfield’s memory.

Source: NZ Edge.com

I'm curious about her because I relate to her on so many levels.  I feel like reading her story might tell me more about mine.  I yearn for home.  Adore it, am passionate about it and yet ... could I go back and live there again?  I really don't know anymore

Ahhh but all of this when really I came to post a photograph I took at the antiques market in Genova, back in May.