Under The Tuscan Sun ...(or a recipe for dreaming)

Whenever I am unable to create my own sense of beauty, I have this book that has traveled with me since the 90's.  The date I wrote in the front reads 'pre 1999'.  I remember how it saved me when we moved to Te Anau, from the disruption and loneliness that is moving, and that it has saved me so many times since.  For me, there is this sense of falling into the beauty that is Frances Mayes prose, like sinking below the surface of a swimming pool, immersed for a while.

Whatever a guidebook says, whether or not you leave somewhere with a sense of the place is entirely a matter of smell and instinct.  There are places I've been which are lost to me.

I've heard so many angry women talk of Frances Mayes book 'Under the Tuscan Sun' - and make no mistake, I am talking of the book not the movie, which is another story entirely - and these women rage about this book and that woman's unrealistic portrayal of a life lived partially in Italy.

I listen, sometimes I speak up but mostly I quietly decide that they are not lovers of beautiful poetic prose writing ... that they simply lack a dreamy writerly soul. But truly, I'm not sure why I love what they hate.

The outrage ... I would love to unpick it, to understand where it comes from. 

The second-floor bedroom that opens onto a brick terrace gleams.  They've made the bed with the new blue sheets and left the terrace door open to the sound of the cuckoos and wild canaries in the linden trees.  We pick the last of the pink roses on the front terrace and fill two old Chianti bottles with them.  The shuttered room with its whitewashed walls, just-waxed floors, pristine bed with new sheets, and sweet roses on the windowsill, all lit with a dangling forty-watt bulb, seems as pure as a Franciscan cell.  As soon as I walk in, I think it is the most perfect room in the world.

These are soul-soothing words for me.  I once lived in the brick house of a friend who was so good to me when I divorced.  It was everything sensible, that borrowed brick house, but my soul needed something else.  I found a funny little 1.5 bedroom cottage out on the Otago peninsula. 

I moved there and was happy.  I would drink my morning coffee out in front of the massive rough wooden-framed windows that made up the front wall of that  cottage.  My view, a few metres of lawn, maybe 2, a small road just below, and the sheltered water of that beautiful harbour.

I require beauty but mostly it's simple.  It's about Nature and good air, it's about views that make you stop and dream for a while.  It's about having a dog, when possible. 

New Zealand spoilt me in a way.  My Belgian bloke understood more of me after our trip home last year.  He realised that while I believe natural beauty is a right, he understands beauty is a luxury.  He comes from a small country, 1/10th the size of New Zealand.  In Belgium there are 11 million people, New Zealand has 4 million.

After a few days, my life takes on its own rhythm.  I wake up and read for an hour at three a.m.; I eat small snacks - a ripe tomato eaten like an apple - at eleven and three rather than lunch at one.  At six I'm up, but by siesta time, the heat of the day, I'm ready for two hours in bed.  Slumber sounds heavier than sleep, and with the hum of a small fan, it's slumber I fall into. 

Finally entering into university studies at 34 was one of the best things I have ever done.  There was an appreciation of all that I studied, an excitement that I might not have felt back when I was 18.  In those days, I lived in 4 different homes along the peninsula.  My first husband and I bought an exquisite cottage down there back in 1999.  We divorced and I lived in a series of cottages on that narrow strip of land between the harbour and the Pacific Ocean. 

Under the Tuscan Sun got me through dark times and lonely times too.  It was like a burst from a sun-lamp perhaps.  It traveled to Istanbul with me, as one of the few things I could take from the old to the new life.  It lives here on my deep-red book shelves in Belgium, a much-loved book that I recently pulled out as these autumn days grow grey and the darkness comes so much earlier.

For me, the book is a meditation on the beautiful moments, written in the prose of a woman who began as a poet and went on with prose.  It's a writers book.  A book for dreamers and lovers of beauty. 

Siesta becomes a ritual.  We pull in the shutters, leaving the windows open. All over the house, ladders of light fall across the floor.

 

 

On Preferring Genova ...

A shameful admission ... perhaps, but I didn't fall in love with Verona. I don't know what I expected.  I may have accidentally watched Letters To Juliet once and you might say, that serves you right, Di. 

It was a very pretty movie set in an Italian summer.  Meanwhile I was there in September on an overcast day and I couldn't help noticing how much they had tidied things up for the movie.  And I think I was disappointed.

I really like Genova.  I like the extremes of Genova.  And it doesn't pretend to be anything it's not.  The gritty is there, right next to the pretty, in that northern Italian city located on the edge of the Ligurian Sea.

Trieste didn't seem to be pretending, not at all, during the few hours spent there.  And the local restaurant we found served food that I'm still dreaming about.  I love Rome but not like Genova.  Rome is simply something else.  Magnificent.

Acqui Terme has fabulous food and wine.  And the people were lovely but still, I preferred Genova.

Venice ... rainy, overcast, crowded.  I don't know, it didn't capture me but perhaps I need to go back there in summer, or spring.  On a sunny day anyway.  And Cinque Terre ... I'm still muttering about the crowds I found there.

Naples, that was something something else!  It was like nowhere I've ever been before.  Not like Istanbul, nor Cairo.  Not Singapore.  Naples was just its ownself.  I loved it but I imagine it's obvious by now ... not like I love Genova.

I write all of this in a bemused state of mind.  I need to pop in and visit Florence one day, and maybe drive through this Tuscan countryside everyone raves about.  Even if it only confirms what I suspect ... that Genova has everything, and more, of what I prefer.

Maybe Italy is like a pick-a-path story.  Maybe you simply find what you love best there and stay loyal to it.  I don't know but that's how it is for me.

The Colours of Genova, Italy

Then there were the colours of Genova. Perhaps each person experiences them differently but my over-riding impression was of a city painted in colours that ranged from pale yellow through into a deep orange. Deep green shutters, sometimes blue.

 

I was invited to write for a website in Genova and above is a small extract.  But I had smile, my passion for that city is huge and my first draft of the article was more like a 'let me count the ways' list.

 

I used some of my photographs in storyboard form, attempting to write of concrete things.  This was one series.  It gives you a sense of the colour there in that beautiful Italian city.

 

On Writing ...

I had forgotten the glorious agony of writing an article for a particular audience ... such is the luxury of writing whatever I want on my blog.

I have been carrying this idea that I could only write this particular article when I was ready ... when I was sure that all I would write would be perfection itself. 

Weeks later, I was still wringing my hands about it because the deadline had been far into the future.  Then the future arrived and what would I write?  How would I incorporate my best images into this text? 

I had raised the bar fairly high in my mind ...

Last night, as I was going to sleep, I thought of the series of fountain images I had added to my previous post and I knew that I had it.  A beginning point, an inspiration, a concrete image of the feeling I wanted to capture.

And so it was, after our Sunday Belgian breakfast of pastries and coffee, that I sat down to write.  And how I wrote ... and wrote, and wrote some more.  Finally, slightly lost, I handed it over and asked the more level-headed Belgian bloke if he might read it through and see where I was. 

Whimper.

He handed it back and told me ...   It seemed, to him, that I might have attempted to squeeze the outline of my entire book into 5 pages of text.  It was a little incoherent and he couldn't find a clear line through it.  Of course, I had wanted my best stuff in the article ... all of it!

Perhaps a prayer was needed.  Something like, Oh enthuisiam, oh passion ... be still so I can write more coherently.

Anyway, that explained my lost feeling and allowed me to pull back out of the work.

And so I reread and found the story I wanted to tell.   I had to remove some favourite photographs from the article.   I had to disappear some favourite tales too.  Paragraphs were slashed as I read.

I need to leave it a few hours now.  Weeks would be better.  I have always preferred to spend time away from a first draft, sneaking up on it at some later date and hoping to read it as a stranger.  It's more effective than you can imagine.

When I write here on the blog I write fast and, for some reason that must be entirely frustrating to those with blog readers, I edit best after I've published.   It's a luxury that I don't have when I write for others.  Even when I edit for others, the final draft is with them.  The post-publish quirk is one that has probably lost me more than a few subscribers.  I must work on that.

The thing about writing so intensely, and I had forgotten this peculiar pain, is that when I write it all out like that there is this horrible emptiness when I stop.  As if all of my intensity and energy has been poured directly into the writing, like an IV that pumps my blood to a new location ... outside of me.

I came here in an attempt to step back from the intensity of the last few hours.  Actually, I did have rather a lot of fun creating storyboards to focus me down on the writing.  Here's one I can't use ...

My borrowed 'desk' in Genova.  The one by the open window that looks out over the carruggio, and a selection of the flowers that I always buy as that first thing I must do in the city.

Conformity ...

If you eliminate that private realm, you breed conformity. When all your behavior is public, then you’re going to do the things that the society insists you do and nothing else and you lose so much of who you are as a human being.
Glenn Greenwald, an interview with an interesting man.

I put this quote up on my facebook page today and it sparked some interesting conversation.

Women called by to comment, women I respect, and in the end we decided that the journey is the destination ...

It came up because we're all out there, either self-employed artists or living in countries not our own and the temptation, on the bad days, is to simply put down our passions, our impulses, our work, our funny little dreams perhaps ... to put them all down and turn back into that world where a weekly pay cheque is guaranteed and our souls aren't so tied up in our work.

But I suspect we gave one another courage and voila, I'm back at work here again ... in Belgium on a Saturday night but remembering that beautiful fountain in Italy.

And now ...

Chance encounters change lives.  Close friends, passing acquaintances and even characters who emerge from old books often leave footprints across my heart.  By opening mysterious doors, the influence of others has inadvertently altered the direction of my life.

Colin Monteath, extracted from Under A Sheltering Sky.

And now ... I am beginning work on a long-talked about book.  Years of ideas have reached a point where I must begin working with them.

When I walk on beaches, I pick up shells ... I'm a sometimes collector.  Stones too, when I wander along the edges of rivers and lakes.  Since I was small.

My photography, I think, emerges out of that same desire to collect, to handle, to pore over later.  But to collect, without ever stopping to enjoy, that seems somehow sad.

So here I am, commiting to this book, for months ... at least a year I think.  That is something I haven't excelled in.  I have so many ideas, so many passions, project ideas.  And I try to follow them all. 

These last two months have been months of insanely beautiful chaos and whimsical impulses ... of action.  People. Places.

But I must have been maturing somehow ... like a wine (I hope, avoiding the old and smelly maturation process we call rotting).  I feel ready to attempt to breathe life into a multi-layered story, using the words and images I have been collecting, to create a portrait of a place I love.

In my people portraits the intention is always about capturing a soul ... something of the true essence of a person.  Now to lift that impulse, that desire, and fit it over a city, over a region, and tell how place can capture a heart.

There will be a photography exhibition in December, here at home I am hoping.  A party.  And there are plans for limited edition print runs, postcards ... but woven so very closely into this book project that I think it will all work.  There will be a series of photography workshop beginning in Spring 2014, and I will leave my door open for one-on-one workshops too but mostly, I'll be here at the desk and working on images and ideas collected since 2008.

And so, here I am, announcing it ... the intention.  Now to work.

Re-Entry ...

Sometimes, bouncing between worlds take more out of my soul than I expect.

Today I lay down after lunch and woke just before 5pm.  I am exhausted again.  There was France and another truly exquisite wedding.  A love so big that it melted my heart.

Then the Beautiful Truth workshop in Piedmont, where the people of Piedmont impressed me with their open-hearted welcome.  Their food.  And their wine.  I discovered Brachetto.  One of those discoveries of a lifetime ... or so is my story.

Then Genova, that city I love more than any other in the world.

And now I am home, doing the re-entry thing. It involves resting a lot, eating vegetables, resting some more.

There is a party to plan.  More travels perhaps.  My cousin.

It's like that.

And below, another image from the exquisite Ligurian weavers ... Cordani Velluti

Leaving Genova ... again

The floors have been mopped, almost all of the laundry is done. The rubbish has been sorted and dumped in the appropriate bins.  Supplies resupplied, wine not quite finished, and most of my goodbyes have been said.

I have loved being here in this Ligurian city again.  Six busy days filled with people and interviews, of photography and so much fun.

Blue skies were there waiting outside my window every morning, temperatures were warm ... 29 celsius

may have been the norm, although I wasn't paying attention in a deep way.

Genova makes me smile, my eyes open wider and sure, I am close to exhausted but these last few weeks have been ...intense.  The wedding in France, the workshop in Piedmont, the interview series here in Genova.  A huge cold that threatened to bring me to my knees was probably the worst of it.

Anyway, this is how I was looking on Monday. Still bemused by the fact that yes, if you teach a photography workshop then being photographed becomes the new normal.  Thank you to Sandy Millar, the photographer and woman who talked me through the agony that is being photographed.

In Liguria ...

These days in Genova have been filled with adventures of an unimagined kind ...

Anna, from Beautiful Liguria, has teamed up with me and we're working on a project (or two) together.  These last few days we have wandered in Liguria, interviewing and photographing some very special artisans.  People using techniques that sometimes go back as far as medieval times because 'they still work'.  People keeping the personal touch alive in their creations and creating so much beauty in the process.

It has been both a pleasure and a privilege to visit these worlds I knew nothing of and in a region so beautiful that the journey has been as much a part of the destination.

I feel like I have fallen through the looking glass, from one beautiful adventure and into another.  And still it continues. 

As always, in Italy, it's about the people, and I am meeting truly excellent people.  They are kind to this foreigner, that one with so many questions and a desire to photograph all.

Here is a taste of the beauty I saw today.  Can you guess what it might be?

Today in Genova ...

Today began with pastries and espresso from a bar along Via San Lorenzo, and then the chance meeting with Amedeo the artist ... and another espresso, this one with that friend I thought I had lost.

There was a walk through the city and the interesting conversation in the Loving Genova office.  The delightful post-lunch drinks with Simon and Paola, as they passed through the city on their way back to Brussels. 

Then a long catch-up with the artists on Via San Lorenzo, with Amedeo, with Karla, with Franco and the rest too. 

Dinner ended being a buffet selection at a bar just off Piazza de Ferrari, with a drink down in Piazza delle Erbe on the way home.

This visit has been about more than a few chance meetings too.   I met Anna, from Beautiful Liguria, out there in the caruggi.  And tonight it was Roberto, a kind friend who has introduced me to new places in Genova ... he walked into the bar with his friend. 

It's good to be back ... as always.  And there is this, the painting I might have bought from Amedeo today.  Just absolutely celebrating the fact that he made it off life-support and is painting again.

Amedeo Baldovino, Artist

I met Amedeo Baldovino a few years ago now ... I wrote of it here.

A few months ago, I received bad news.  He had collapsed in the city and was on life-support.  It didn't look good and I grieved for both the man and the talented artist.

Karla kept me informed.  He came through surgery, he was recovering ... it was so good to hear but this morning, out picking up breakfast, I stopped to say hi to the artists in Via San Lorenzo. 

Angelo gestured to the cafe, I walked in, and it was Amedeo!!!  Back painting, back in his weekend spot, BACK.

I didn't quite jump all over him like a happy puppy but I was so very very pleased to see him. 

That man ... he painted this painting as a gift to me. He painted me into Genova.  You can imagine how much I loved that.

Today I am celebrating Amedeo here on the blog.  Everyone should have some Amedeo hanging in their home.  If you think you would like to see some of his work, let me know, I'll go photograph some of the delights he has hanging and we'll work out the shipping costs. 

Back in Genova, and loving it, as always.

Ciao!

On the Aperitivo Trail, Genova

As always, there were so many stories in Genova, so many I intended to write up but I arrived back in my Belgian life and there were more stories unfolding.  The end result is that a handful of stories are told and the others ... well, they just stay with me, as memories to be sifted through or written up later.

I was winding up my stay in Genova back in July when Simon flew in on that second last evening.  He had 12 hours in the city, as he was dropping his son off with his mother-in-law.  We had a choice for dinner that night - a simple dinner someplace or an aperitivo-style exploration of the city. 

Nothing new for Simon, as he knows the city well.  Paola, his lovely Genovese wife and friend of mine, owns the apartment I stay in when I'm there.  He spent a few years living there and they return when they can, from their Belgian life.

And so it was that we began with aperitivo at Cafè il Barbarossa.  They offer a lovely outdoor setting, an extensive cocktail menu, and they're only a few steps from the apartment.  He chose a cocktail and I remained boringly loyal to my beloved red wine.

We wandered over to Mentelocale Cafè.  Simon selected another cocktail while I continued with red wine.  You should know that each drink comes with a range of snacks.  It's a lovely 'other' way to have dinner.  We moved on after a while to a place that was rather more upmarket.  Their buffet selection of snacks was rather divine.

The first photograph, in the series below, was taken with Simon's phone.  No other cameras were on this particular expedition.  The cocktail you see was called the Missionary's Downfall.  Simon wisely stayed with rum-based cocktails and admitted he could see how the taste of that particular drink might have led missionaries to let themselves down some.

The second photograph was taken after my second glass of wine and is more about the humour of the moment than the amount of wine consumed.  Actually, that evening was so very warm and humid that I very sensibly matched every glass of wine with water ... more or less.  Maybe not enough but an effort was made.

We wandered down into the caruggi, looking for a particular bar somewhere off Via Canneto il Lungo but I think it was closed and so we wandered on, ending up in the piazza that tends to be the pulse of city life in the evenings ... Pizza delle Erbe.

It was there that Simon decided it was time he stepped away from the cocktails and he embarked on a more sedate exploration of red wines available.  Having complained, long and loud, over photographs he had taken of me and posted on Facebook, I saw a photo-op as Simon relaxed at this outdoor bar and there he is, at the end of this photo selection, with a facial expression I'd not seen before.  It had to be recorded for posterity ... or perhaps as payback for the horrors he had posted earlier in the evening. 

Veronica had had to chide him for a small degree of 'mean' over those postings.  Thank you, Veronica, your loyalty was appreciated.

I cannot tell you how nice it is to sit outside on warm summer's night, in a small piazza in Italy, drinking red wine and chatting while the Italians surround you with all of their conversations.  I think it's one of the things I love best but rarely do, as I'm mostly alone while there.

We ended the evening at my favourite pizzeria ... in the world. Seriously.  The most excellent pizzas can be found there and the owners are lovely.  We split a pizza, there was a little more red wine, a conversation with the pizzeria owners and voila, we were done.

Thank you for a most excellent evening spent wandering Genovese streets, Mr Litton, and to Paola who guided us when Simon was lost in the maze that is the caruggi. 

Genova

One of the things I love about Genova is the fact that mass tourism hasn't decimated her soul.

The Genovese go about their lives in a way that feels like forever and familiar .  And there is the sacred and the profane out there as you wander.  The exquisite and the run-down stand side by side.  Take a few steps and you're some place else.

There is ancient grandeur and there are the wilder streets.  Those streets that inspire caution when you consider exploring them. 

Genova is as She is.  There is no pretence.  Grandeur and grittiness co-exist.  You can love her ... or not.  She will not bow or preen for you.

I love that.

Story-Tellers

Maybe I'm 'involved' in too many things ... is the thought that occurs to me as I try to organise my desk as a viable working space after Italy, on this much-cooler Sunday morning in Belgium.

I'm trying to organise all ...  there are the things I want to blog about from Genova, the photography workshop material I'm printing and organising, the Inspiration workbook material I'm preparing for the 5-day workshop in Italy, and the book on Genova I'm putting together ... and then there's everything else that interests me too. Reminders, notes, the appointments book, and and and.

To my left my bookshelves are overflowing with books read and unread but I love that state of being.  No pressure, just pure anticipation.  There was the secondhand beauty I found just before flying - Pablo Neruda, Memoirs.  And I'm still meandering through Eduardo Galeano's Children of the Days.

Both books were too heavy to take with my camera gear and laptop as hand luggage, as I acknowledged that sad lack of escalators in Italian railway stations.  A lack that has twice made me consider abandoning my luggage there at the bottom of the stairs as I looked up.

Yesterday, pre-massive night-time thunderstorm, I lay on the bed for a while and zipped through the delightful story of a wandering cat and its owners efforts to track it - titled Lost Cat.  Pure lazy luxury.

And I'm still dipping in and out of Paul Kelly's 100 chapter biography (although not the version I've linked to. No cds included in my copy and, sadly, too heavy to contemplate carrying to Genova), and the Letters of Virginia Woolf and Vita Sackville-West  because they're the kind of books that invite dipping.  I discovered 'Portuguese Irregular Verbs' at my .75 cent secondhand book supplier (so many good books found at this price) and it's waiting there in the queue.  And finally I am reading 'TinkerBell, in the Realm of the Never Fairies with Miss 9.  It's an excuse for us to hang-out up here, in the cool of the evening, reading and chatting.  We're looking for the next big series read but will put that decision off a little longer.

I'll leave you with a story-scene from medieval Genova.

3 Things To Share ...

It's a hot muggy night here in Belgium.  I believe all risk of snow is finally gone but I seem to have some lingering issues with the winter that was ...

Oh, you noticed.

Tonight was the night where I wrote a long reply to Laura and afterwards, inspired by my written 'conversation' with her, I wandered into this beautiful performance by my favourite Belgian jazz musician, Toots Thielemans, and Stevie Wonder.

They were playing as I read through Justine Musk's latest post, on finding your passion.

She wrote:  We forget – if we were ever even fully aware — that passion is rooted in suffering. As Todd Henry points out in his excellent book DIE EMPTY: Unleash Your Best Work Every Day, the word ‘passion’ is rooted in the Latin word pati which means “to suffer or endure”. Our culture’s distorted understanding of the concept has created what Henry calls “the passion fallacy” as well as “a false notion of what it means to engage in gratifying work.”

So perhaps — when we try to find the great work of our soul and build out an epic life for ourselves ...

She suggests that we should ask... “What work am I willing to suffer for today?”

I'm aware, that when I wander in Genova, it reads as if it is all beauty and joy but it's one of the more difficult things I do to myself.  I fly high on the beauty I find there, on the people I meet ... on the experiences I have but I empty myself in the high and then ... sometimes, I crash.

Reading Justine's words I  thought, Well yes, Genova is a passion.  My passion for that city isn't without suffering.  Sometimes I feel like I fly so close to the sun, as I explore the city's history, colours, culture ... sometimes I go back to the apartment and attempt to recover from something that feels not unlike Stendhal Syndrome.

Realisation over, I read on, catching up on my incoming and voila, there was this ... and it made me think that I must blog tonight's finds.  Titled 40 Inspiring Workplaces from the Famously Creative ... see what you think.

I thought it exquisite.

Below, I'm posted a fragment from an ancient painting I loved back in Genova ...

Genova And I ...

Tonight is the night I spend cleaning the apartment and packing to leave Genova.

My airline changed its usual flight times between Italy and Belgium.  I need to leave here earlier than usual but, realistically, I can't do the big clean-up-before-leaving in the humidity that is ...  It's a long journey home.  One that involves a bus, a train, another train, a plane, a bus, and a tram.  It's only 1 hour 15 minutes between airports and countries but there's the reaching the airport thing ... and the getting home too.

It becomes epic but I have my snazzy new luggage... she trails off.  That would be the bag that blew my budget upon arriving in Italy ... the replacement for the red one that had had the powerfully stinking fish juice spill on it.  Ho hum.  Nice bag.   I guess it can be an early birthday gift to myself, a thought that may help absorb the pain of paying full price and then some for luggage in an airport.

Hmmm, note to self, the pain of that experience still isn't out of my system.

But mostly this visit has been about good people.  There was Roberto, a lovely guy I met last time I was here.  He very kindly introduced me to some places in the city I hadn't explored.  And he survived my New Zealand-English.  Grazie mille, Roberto.

And there was Anna, from Beautiful Liguria. It is always, without fail, inspiring and exciting to spend time talking with her. 

And Outi, another lovely friend I made last time I was in Genova.  An inspiring woman too!

Actually, I was here to meet Diny.  A truly remarkable woman who was a pleasure to spend time with.  We worked together on both Saturday and Sunday, then had dinner on Monday and ended that evening out in Piazza De Ferrari, eating gelato and enjoying the cool breeze of the evening.  It was a real delight to spend time with her.

I was out with Barbara tonight, aperitivo after lunching with her earlier.  One day I will stun her with my fluent Italian.  Well actually, I'll probably stun myself first ... there is so much grammar to learn. 

And Lorenzo.  Some days, we met for a coffee after he closed his cafe for the day.  He came to Belgium last year, searching for the grey skies that Belgium does so well.  He introduced us to the vegetarian 'meat' products while he was over.  We love him for that.

And Stefano.  I had lunch with him back in those days when I first arrived.  It's always a pleasure to catch up with this lovely man, responsible for the Righicam website.  The site with those cameras that look out over Genova.

The humidity here has been high.  Higher than I'm used to.  Sometimes two showers per day and a complete change of clothes was the only solution.  That said, I've loved being warm ... loved watching my skin change to brown even though I haven't spent any time sunbathing.

So yes, I'm leaving on a jet plane ... but I DO know when I'll be back again.

I'm back in September, with 50 photographs selected for my book and as much text as possible.  There is a plan. 

The image that follows ... I'll write more on it once home and unpacked.  I need my notes but it's divine don't you think?

Light and Colour, Genova

I can never predict what I might find out in the streets of Genova, Italy.

Never.  It seems that all is possible.  Today the light was strong and it was hot.  Really unbelievably hot but I am adjusting to it.  Loving it even ... after the long Belgian winter that was.

I couldn't resist attempting to capture something of the artworks found in the narrow caruggi (alleyways) here in the ancient heart of Genova.