Reading & Writing My Way Back ...

Sometimes I get so caught up in issues close to my heart that I lose my own way.

And really, I know that at any given time, in any given century, there are 'bad things going on'.  I would be naive to imagine otherwise.  And I do understand that I know very little of the facts of those 'things'.  I know I need to understand that an absolute 'truth' doesn't really exist.  No situation is black & white.

Perhaps the best is to seek a series of narratives from different sources, accepting that truth is in there somewhere ... in different ways for every soul involved.

I had to find a way back from the sadness that set in after spending days reading of things so bad and so sad that they slipped in under my skin ... like tics perhaps, quietly poisoning my peace of mind and stealing my sense of beauty.

I found my way back tonight.  I've been lost in other, rather beautiful, worlds for an hour or more, since discovering Jodi's blog - Practising Simplicity.

She 'introduced' me to Katie and Reuben's - House of Humble.  And they led me over to Inked in Colour by Sash.

And finally, I felt like wandering across this after-midnight-silent room, to pick up my beautiful shawl, having this sense of finding my way back to myself some.  The Russian tailor made the changes I asked him to make to the shawl and it's quickly becoming this beautiful thing that makes me smile whenever I wear it.

Martin Luther King said that, 'Our lives begin to end the day we become silent about things that matter.'

I believe this, so strongly, but I also see that I need balance.  When I speak out there's a sense of standing some place alone.  I want the world's eyes to turn to this topic that seems so important to me but in pursuing that desire to share, to speak out, hurts me. 

I grew up watching The Diary of Anne Frank on television.  It was screened, at very least, annually.  And we studied her story ... more than once, in school.

For a long time, years really, watching that movie I would to hope that someone would speak up for those people trapped in that holocaust.  But no one seemed able to so effectively.  The excuse used later was, we didn't know.  And so it is that periodically I am compelled to share information that asks people to 'see' and to 'know'.  To help bring about change. To stop really bad stuff happening.

But the slope is slippery and the deeper I go the further I am from that place, that creative space, where I prefer to be.  I love being a photographer, observing and capturing without interfering too much.  I love writing ... telling stories the way I imagine them.  And I believe, so strongly, in justice for all even as I understand it's impossible.

Periodically I step into the ring and challenge peoples desire to turn away, not to see, not to know. 

And afterwards, after the sharing, I have to find a way back to way I prefer life to be.  The women I discovered tonight pulled me back onto those paths that involve flowers and fruit trees, beautifully captured, along with so many stories. 

It's good to be back from that other, much sadder, much harder place for a while.

I'm Back ...

There's no headache this morning!  It feels so unbelievably good.  I found this area in my neck at 5am ... because it was stiff and sore, so I rubbed and stretched it for a while and voila ... I woke with no pain.

Meanwhile everything continues to happen here.  My huge ring-binder folder, the one I use for my book-writing course, is full of assignments and we're only halfway through.  It's been beyond excellent having to work out things like defining your book's genre, imagining how it will look - ideally.  Hardcover or soft, photographs, text, binding-style, after learning about different options for bindings.

Creating a vision board, a mind map, a set of core values for the book and the process.  Listening to published author interviews, learning all that Christine Mason Miller knows from her publishing successes.  Writing a synopsis and so much more.

It's intense and although we only work with Christine for 6 weeks, the material remains available to us for 6 months.  This course is all about fitting a book in around real life and all the distractions that most people live with ... which is so realistic for a creature like me.

Last night I began trying to select books for the journey next week.  I love reading at night in Genova.  I'm still not an electronic book reader-type, although the Belgian bloke is working on me.  My camera gear makes me a little sad about the extra weight I can't really carry in books but read I must. 

I have Kay Cooke's 2 poetry books on my desk, and 2 of Ren Powell's too.  I'm thinking they would be a great study while I'm out wandering.  Gert found me another Claire Messud book, secondhand, and I picked up Christos Tsiolkas's book, Dead Europe while in France but I think that one might be a little bit darker than I expect.  Let's see it.

There's all that but then I adore La Feltrinelli's in Genova.  It's one of my favourite bookshops out here in the world.  The English selection isn't huge but it's good.  Really good.  Last time I didn't allow myself to go in.  This time, we'll see ...

Anyway, enough of that.  I'm behind with my photo-editing.  I was lucky enough to wander over to Brussels last weekend, to photograph my lovely colour therapist friend, Marcia's, beautiful family.  I need to get on to that now that my head has stopped aching.

They are a truly, madly, deeply exquisite family and I so love photographing them.  It took most of the day but it wasn't just about photography, there was also a delicious cooked lunch after the picnic captured below.

On Portraiture ...

I love the work of portrait photography ...

My idea is that portrait photography is an attempt to put someone so at ease with who you are that they give you something of who they really are.

I think everybody is capable of being photographed in a way that is beautiful. 

It's about letting the real self bubble up to the surface.  It can take time but it's more than worth it in the end.

 

A Fabulous Book by Andrew Simonet, Founder and Director at Artists U

Taking power as an artist means going from beggar to partner. Artists who are strong partners thrive. They find resources, connections, and audiences. They don’t wait for opportunities; they create opportunities.  Everyone we deal with is a partner (not a parent). Funders, presenters, museums, record labels, and critics are all partners. When we step up as responsive, responsible partners, we can go anywhere.

Simonet, extracted from his book, Making Your Life as an Artist - a guide to building a balanced, sustainable artistic life.

Every artist should read this. 

Really.  It's that important.

As Val wrote when I posted the link on Facebook, Good resource and point of view with concrete actions to take. They need to give this to students in school. 

Val Oliver, an Originator/Creator/Writer/Director/Producer.

Making art will never be an entirely reasonable, rational pursuit. Excess, immersion, wildness, and obsessiveness can all fuel our work. But that doesn’t have to be the way we deal with all aspects of our lives.

Protect the wildness of your art practice. Keep the radical parts radical by cutting out the chaos. 

Sustainable means your life can work over the long term. A lot of artists’ lives are built for 23-year-old single, frenetic, healthy, childless workaholics. That doesn’t last. Our lives change and our needs change.

Sustaining is radical.

(Starving is not.)