David, Ralph and Vincent

Ridicule is a terrible whitherer of the imagination. It binds us where we should be free.
Ralph Waldo Emerson.

Found over on David du Chemin’s blog ... brilliant post.  He is writing wise words from his hospital bed in these days.  He pulled me in when I read, ‘I don’t know a single artist that doesn’t wrestle with cycles of self-doubt, second-guesses ...”

He, in turn, linked over to Vincent Versace

I loved so much of his article too ... a slice: Every image you create is an expression of the artistic inspiration that moves you. You express your creative voice by developing the ability to show what moves you without screaming for the attention of others. It means getting out of your own way and, in the moments when your creative spirit is moved, trusting that what comes from those moments will be good. Your goal should be to trust what you feel and constantly strive toward personal excellence and elegant performance. When your effectiveness becomes effortless, your images will move the viewer solely by the power that caused you to be moved.

Pearl S. Buck, Creative Minds

The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanely sensitive. To them… a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death.

Add to this cruelly delicate organism the overpowering necessity to create, create, create — so that without the creating of music or poetry or books or buildings or something of meaning, their very breath is cut off…

They must create, must pour out creation. By some strange, unknown, inward urgency they are not really alive unless they are creating.
Pearl S. Buck

Colin Monteath, Photographer, Writer, Explorer

Chance encounters change lives. Close friends, passing aquaintances and even characters who emerge from old books often leave footprints across my heart. By opening mysterious doors, the influence of others has inadvertently altered the direction of my life.
Colin Monteath,  from Under A Sheltering Sky

Orhan Pamuk, Nobel Lecture, 2006

Some extracts: A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is: when I speak of writing, what comes first to my mind is not a novel, a poem, or literary tradition, it is a person who shuts himself up in a room, sits down at a table, and alone, turns inward; amid its shadows, he builds a new world with words.

He can write poems, plays, or novels, as I do. All these differences come after the crucial task of sitting down at the table and patiently turning inwards. To write is to turn this inward gaze into words, to study the world into which that person passes when he retires into himself, and to do so with patience, obstinacy, and joy.

As I sit at my table, for days, months, years, slowly adding new words to the empty page, I feel as if I am creating a new world, as if I am bringing into being that other person inside me, in the same way someone might build a bridge or a dome, stone by stone.

The stones we writers use are words. As we hold them in our hands, sensing the ways in which each of them is connected to the others, looking at them sometimes from afar, sometimes almost caressing them with our fingers and the tips of our pens, weighing them, moving them around, year in and year out, patiently and hopefully, we create new worlds.

The writer's secret is not inspiration – for it is never clear where it comes from – it is his stubbornness, his patience. That lovely Turkish saying – to dig a well with a needle – seems to me to have been said with writers in mind.

...I believe literature to be the most valuable hoard that humanity has gathered in its quest to understand itself. Societies, tribes, and peoples grow more intelligent, richer, and more advanced as they pay attention to the troubled words of their authors, and, as we all know, the burning of books and the denigration of writers are both signals that dark and improvident times are upon us.

But literature is never just a national concern. The writer who shuts himself up in a room and first goes on a journey inside himself will, over the years, discover literature's eternal rule: he must have the artistry to tell his own stories as if they are other people's stories, and to tell other people's stories as if they were his own, for this is what literature is. But we must first travel through other peoples' stories and books.